Artist Rami Sabry sparked widespread controversy on social media with the release of the first single from his new album, “Al-Qamar” (The Moon), on his official social media accounts. Some followers noticed similarities between the song’s style and Amr Diab’s hit song “Baba” (Dad), in terms of musical style and overall feel.
Some even suggested that the melody and arrangement were reminiscent of Diab’s “Baba,” released on his album “Ebtadeina” (We Started) in the summer of 2015. “Baba,” with its maqsum rhythm, achieved widespread popularity across various streaming platforms.
The discussion extended to the album’s promotional design, with some fans noting similarities between the new album’s poster and that of Mohamed Hamaki’s latest album, “Samaouni” (Let Me Hear You). This sparked comparisons between recently released works and reignited the debate about the similarities in visual identity within the music market.
Ramy Sabry and Mohamed Hamaki This controversy stems from a recent debate surrounding Ramy Sabry, after his name trended on social media following a post by composer Nader Nour. Nour claimed that singers were “ignoring him as a composer” in the music scene, leading some to link the issue to the artist.
Rami Sabry responded in a video, clarifying that his comments weren’t directed at anyone in particular. However, he emphasized that some songs lack innovation and originality in their compositions, adding that he doesn’t produce work he doesn’t artistically believe in. This sparked mixed reactions, with some fans supporting and others opposing his statements.
Opinions were divided between those who see these similarities as part of the natural diversity within the music and visual landscape, and others who believe the recurring controversy surrounding his work reflects an ongoing discussion about his artistic choices and musical identity.
